Traveler: Storyteller Tales: The Museum Piece

            The red shack turned out to be a small barn.  There was a woman out front in overalls and grease up to her elbows, or so it appeared.  When she greeted Glen by tipping her head down and saying “Lord,” Alice took a second look.  The woman was beautiful and Alice began to think this was a standard thing for the Traveler.  It made her feel a twinge of envy because while she knew she was pretty in her own right, she felt like nothing compared to the women she had seen so far, including the women of the Traveler.  She concentrated.

            “Mirowen.”  Glen gave the woman a name.

            The woman, Mirowen moved when a man came out of the barn to join her and Alice caught a glimpse of pointed ears under the woman’s long and straight raven black hair.

            “An elf.”  Pumpkin whispered in Alice’s ear and Alice nodded to say she had just guessed.  The man, however, looked thoroughly human.

            “Emile.”  Lockhart named the man.

            “Director,” the man responded to Lockhart.

            “What are you two doing here?”  Glen asked the obvious question.

            “Nothing,” Mirowen said, but Glen frowned because he knew it was a lie.  Mirowen turned away from her Lord to look at the man.  “I don’t know what Emile may be doing since we are not speaking to each other.”

            The man looked at the elf and nodded before he turned again to the group.  “But it should be fun later when we make up,” he said.

            Glen was not buying it.  He pushed forward and the couple only made a passing stab at trying to stop him from entering the barn.

            “What the—what did you do?  Doctor Roberts!”  Glen shouted even though the Doctor followed him in and stood at his shoulder.

            “Emile.”  Mirowen nudged the man.  He looked at her with an expression that said she was equally culpable.

            The barn contained a ship–a sphere some thirty feet in diameter, but it was presently hard to see since so much of it had been taken apart.  There were plates off the outer hull stacked in the corner, and much of the insides were scattered around on several tables and the floor.  It still had the basic shape, but it would never fly again, at least not without a great deal of work.

            “What is it?”  The woman marine asked in a quiet voice that suggested wonder.

            “The Vordan fighter?”  Alice also wondered out loud and spoke over the marine.

            “A museum piece.”  Glen responded haphazardly.  His eyes were busy making an inventory of all the pieces he could see, but his mouth went on to explain.  “This is, or was, an escape pod from an Humanoid battle cruiser, and a high ranking family at that.  I saw one in a museum once hundreds of years in the future.  We found this one in New Jersey some years ago.”  Glen ducked his head into a hole in the ship, but he kept speaking and no one interrupted.

            “I recall at the time I figured this ship had to be two-thousand years old.  It turned out there was a Wolv still on board in suspension, and that was trouble, let me tell you.”  Glen pulled his head back out and frowned at Emile and Mirowen.  “This thing could approach light speed and had a better weapons array than all the Vordan ships combined—as long as it was working.”

            “And this was just an escape pod?”  The marine sergeant stepped up.  “I would like to see the battle cruiser it came from.”

            “Two thousand years old?”  The woman marine was still in a state of wonder, but again her words were buried under Emile’s outburst.

            “But it is dead, completely.  No power.”

            Glen reached back inside the ship and touched several places on the inner wall—a portion of the wall that was still there.  Immediately there was a hum and after a moment some lights came on.  “Ten thousand year half-life batteries,” Glen said and he went back to his inventory.

            “That tears it.”  Alice huffed.  “Pumpkin, would you go visit Boston?”  Pumpkin flittered off Alice’s shoulder while Alice put down her laptop and began to write furiously on her steno pad.  Pumpkin hesitated.

            “I’m supposed to ask,” the fairy said.

            Boston grinned like the Cheshire cat at the idea.  “Yes, please.”  She spoke through that great array of teeth.  Pumpkin waited for no further invitation.  She took a seat on Boston’s shoulder and only tugged briefly on Boston’s short red hair—hair that would offer little cover.

            Lockhart watched the whole thing with a grin of his own.  He also saw Mirowen elbow Doctor Roberts in the ribs to get his eyes back on her and his mind back on topic.  They had been whispering.  He watched Alice the lawyer scribble on her pad before he sighed and wheeled his own wheelchair forward, hard as that was to do in the dirt and at his age.

            “So what now?” he asked.

            Glen pulled his head back out of the ship again, and the marines, who had been looking over his shoulder came with him.  “Now you get two more recruits.”

            “We don’t normally take grunts, as the Princess calls them.”

            Glen ignored the comment and considered the marines.  “Embassy?”  He asked the sergeant.

            “Yes, sir.  Don Thomas, and whatever you think of the President’s actions it seems to me you could use some grunts about now.  Miriam’s from the Pentegon.”

            Glen shook the sergeant’s hand and did not let go when he took a hand from the woman.  “Miriam?  Lebanese Christian?”

            “Yes, sir.”  The woman nodded.  “Very good, sir.  And I am sorry.  I just do secretarial.”

            “There, see?  Another file clerk.”  Glen spoke to Lockhart before turned to the marines and looked each in the eyes.  “Well, right now I need to change,” he said.  “Your first job for this crazy outfit is to hold on and promise not to let go.”  The marines looked at each other but said nothing.

            “Promise,” Lockhart said, sharply.

            “It’s tradition,” Glen added with a smile and a squeeze of each hand.  The marines nodded and Glen went away.  Martok the Bospori came to stand in his place.  Miriam just smiled, utterly fascinated by all of this, but Sergeant Thomas jumped back with a brief exclamation of surprise.

            “Someone always lets go,” Martok sighed in his deep Bospori voice.  The depth and tone sounded odd coming from one who was only five feet tall.  He looked human enough, though, if he did not smile and show off his canines, and if one did not get close enough to realize his hair was really black fur, and if he wore shades.  The yellow cat-like eyes were a bit of a giveaway.  Alice saw the eyes and guessed right away.

            “Martok.”

            “And pleased to meet you, too, Alice the lawyer who should be reviewing treaty clauses.”  He smiled to show her his full set of very sharp teeth.  “I’ll be a while so you have time to work.”  Alice dared not argue.  She swallowed and got her laptop.

            “Boston and I, and I guess Mrs. Pumpkin will go see about breakfast.”  Lockhart volunteered.  “I’ll try and get the limos and flatbed here as soon as I can, oh, and can we leave the three stooges out of it this time.”

            “What?  Moi?”  Martok spoke with the smile still in place.  “But watching humans hit each other over the head and pull hair and poke in the eyes is so funny.”  Lockhart was not buying it.  “Don’t worry.  This time I only see two stooges.”  Martok lost the smile and stared at Mirowen and Emile before he climbed fully into the ship.  “Roberts!”  He roared as soon as he got inside and everyone jumped.

Traveler: Storyteller Tales: Vordan 4

            Glen got up early despite the fact that he had so little sleep in the night.  Pumpkin slept on the pillow on the floor next to Boston who was curled up in a ball and shivered against the cold tile.  As he rose, Glen took his hospital blanket and covered the girl, and he smiled because he managed to do it without waking her or the fairy.  Then he tip-toed towards the infirmary exit only to discover that Alice was up, waiting.

            “Don’t think you are going to get away,” she whispered.  “I have more questions now than ever.”

            Glen hushed her and took her hand to minimize the noise.  It didn’t help.  Pumpkin zoomed up to land on Glen’s shoulder before the door shut.

            “Where we going?” The fairy asked in the same kind of whisper Alice used. 

            “Apparently nowhere.”  Alice spoke out loud.  There was a soldier with a gun in the hallway.

            “Sir.  Mam.  I need to see your papers.”

            “What is this all about?”  Alice, the lawyer took the lead. 

            “Marines, Mam.  The President is taking over this operation, now I would appreciate seeing your papers.”

            “Pumpkin.  Go get our papers,” Glen said.

            “Yes, Lord,” Pumpkin responded and zoomed back into the room.  She turned the door handle with a bit of magic dust. and the poor marine got his first look at a real, live fairy.  His eyes got very big and his mouth opened wide.

            “That is very good, wouldn’t you say?”  Alice nudged Glen.  She decided to approach all of this from a different angle.  “My reaction was not nearly that photogenic.”

            “I don’t know—“ Glen hedged but Pumpkin returned before he could say more.

            “But we haven’t got any papers,” Pumpkin said as she hovered in Glen’s face.

            “Hey, hey!”  The marine caught two more marines in the hallway and waved them to join him.  The woman was instantly enchanted, but the man wanted to reach for his gun.”

            “None of that.”  Glen, Alice and the first marine, a sergeant spoke more or less together before Glen continued.

            “The director is in there, asleep.  You need to stay here and see she is not disturbed.”  He spoke to the trigger happy man before he turned to Pumpkin.  “You need to ride on Alice’s shoulder.  She has hair you can hide in.”  He turned to the sergeant.  “You are in over your head, but you are welcome to come along if you want to keep an eye on us.”  He turned to the woman marine.  “You need to tell the President he is ticking me off.  I told him we would be there this afternoon.”  He turned last to Alice who squinted as if the fairy might hurt when she  settled on her shoulder.  “And you need to be working on that treaty.”  Glen smiled.  “There, did I miss anyone?”

            The woman marine raised her hand and Glen nodded in her direction.  “Can I come, too?”

            “Sure, where are we going?”  Glen heard the words and turned around.  It was Lockhart in his wheelchair and Boston was behind him, yawning.

            “The assistant director.”  Glen identified Lockhart.  The Sergeant straightened up which caused the other two marines to come to attention.

            “Sir.  The President’s compliments.  He feels after the events of yesterday this base needs protecting.”

            Lockhart frowned.  Glen spoke up.  “Alice.  Open that laptop.  Check the Code of Establishment in the Charter, article 17, section c I think.  I believe you will find this organization was established to function independently from the three federal branches.  Neither the President nor the Congress has the right to send troops or even visit without asking first, or something to that effect.”

            “My God!”  Alice shrieked.  “This says the organization was established by the Continental Congress.  Look.  Look there.  John Adams.  Thomas Jefferson.”

            “Article 17.”  Glen interrupted and tapped the computer.  “I insisted that be in there.  Ben understood.”

            “Ben?”  Boston spoke through her yawn.

            “Ben Franklin.”  That woke her up.

            “I’ve read the Code.”  The voice came from down the hall.  All three marines snapped to serious attention and saluted.  The colonel returned their salute.  “The President figures you are so secret, who is going to know?”

            “I’ll know,” Glen said.  The Colonel was not impressed until Glen remembered where he saw this man before.  “What?  Area 51 get flattened when the Vordan brought their battleships to earth?”

            The Colonel stared at him for a second while Glen’s words sunk in  “Very perceptive,” the Colonel answered, but his words were overshadowed by the shouts.

            “What?  No!  When?”  The loudest shout was from behind the infirmary door.  Bobbi came barreling out, half-dressed.  “Are you sure?  Those battleships came to earth?”

            Glen nodded, gave Bobbi a good morning hug and started to walk at a quick pace toward the front door.  Alice jumped, closed the laptop and hurried to catch up.  Pumpkin complained about the bumpy ride.  The marine woman and the Sergeant were a step behind.  Lockhart came last, but Boston got up on the foot rests on the back of the wheelchair and Lockhart turned on the electric motor so they caught up quickly.  Glen felt bad about leaving Bobbi to deal with Colonel dipstick, but he had things to do.

            “The red shack still out back?” he asked.

            “Yep,” Lockhart answered.

            “The thing still on ice?”

            “Mostly,” Boston said.

Writerly Stuff: Revise and Edit but No More Rewrites!

I can only speak for myself.  And for those of you whose first draft is like a skeleton or like an outline except with complete sentences so rewriting consists of fleshing things out, I can offer little, if any advice.  But for those who finish a story, listen.  Please don’t cut and slash.  I simply don’t believe or buy into the thinking that all first drafts are automatically trash. 

You have worked hard.  Your muse and subconscious as well as your characters have guided and directed you all along the way.  You have every right to feel good about your accomplishment and no reason to feel it is trash.  Think of it as the first grapes of the season.  Sometimes that makes the best wine.  Your only job at this point is to turn those grapes into wine, and while the form may change a bit, everything is already there in the juice.  That much does not have to be substantially changed.

The first thing I do is set the work aside for a “time.”  Usually, that is about two or more weeks.  Then I change the font from my writing font (Times New Roman) to my final font (Courier New) to get a fresh perspective.  Some people like to print it out, but I find that unnecessarily expensive.  The reason editors like courier so much is because it is equally spaced and therefore easy to edit.  For me, the change in font makes the whole work appear fresh.

The second thing I do is go scene by scene which is not necessarily the same thing as chapter by chapter.  A scene, like a movie scene, covers one location and the events that take place there.  It may develop over several chapters.  There may be several scenes in the same chapter.  But I go scene by scene and ask a few simple questions:

What is the purpose of this scene, and did I succeed?

In what way does this move the story forward?

Are the characters true to form in action and dialogue?

Is there foreshadowing?

Are the sub-plot (s) properly accounted for?

Yes, sometimes a whole scene might be deleted as unnecessary.  Also, at times, a paragraph or more may need to be added or things within the scene shuffled a bit…but then I move on.

Third, chapter by chapter I ask less questions.

Does the chapter begin with a hook that keeps the reader interested?

Does it end with a hook that keeps the reader reading?

Is the tension building?

Fourth, I edit.  Now is when I go through and look at HOW I say things and ask if it could be said better – if the prose could be tighter.  With my eye on the scenes and chapters, a lot of the editing has already happened.  Some even edit during the first draft, and I confess that is hard to avoid, though I am careful not to let it impede my progress. 

Editing is precisely what an editor would do – more than mere proofreading.  Sometimes you want just the right word, but I do not recommend writing by thesaurus.  Keep it simple and accessible to your reader.  Watch out for repeated phrases and words.  Watch out for was-ing constructions.  Watch your adverbs and adjectives.  Etc. etc.  All that writerly stuff you have heard.

The editing process can take time.  That’s okay.  Take your time because once you are done, YOU ARE DONE.  Please, O please stop.  Write your synopsis, your query, your cover letter if you will, but then put it on the market and go write your next one.  Please don’t fall into the trap of tweaking – rewriting the work every time you get a no thank you.  It may be that this one will never sell, but I have a rule.  I don’t look at a work deemed “finished” for a minimum of five years, no matter how many no thank yous I get.  I keep too busy working on the next one and the one after that! 

Besides, after five years (or 10), hopefully I will have learned a bit.  Then I may be able to see the flaws and get it in shape, or if not, I may be able to understand why it never sold.  I never understood such things when I was determined to tweak it every couple of months.  Tweaking just kept me frustrated and discouraged.  Now, I follow Yul Brenner’s line in the Ten Commandments.  “So let it be written.  So let it be done.”

Reader Quest: The search for the mythical target audience.

The world has 6.9 billion people.  These United States, 311 million before the 2010 census results.

R. R. Bowker book industry report for 2009.

2009 more than 40% of Americans bought a book.  (2008 figure was over 50%).  Average age: 42.  With Fantasy (science fiction) being purchased (believe it or not) evenly by men and women (where women average 64% of all purchases in other genres of fiction and literature). 

From Literary insights:  Book industry Study Group

55% of (Hard) Science fiction is still bought by men, though 65% of all fiction purchases were made by women.  (We may assume (soft) Science fiction/fantasy tends toward more women purchasers).

Book editorial and marketing stats:

@7% of all fiction sales are in science fiction and fantasy (perhaps a bit more because this excludes occult and horror, all of those SF/F stories that get lumped in with mainstream or contemporary fiction and literature, and young adult.  I suppose a case could be made for 10%).

What does all this mean?

Well, sticking with just the U.S., we begin with 311 million people.

We first have to subtract the roughly 20% under 13 (the above statistics exclude them)

That leaves @ 250 million Americans.

40% of this is 100 million book purchasers.

53% of these peope read fiction. (Publisher’s Weekly)  That’s 53 million fiction readers.

7% of that number is roughly 3.5 million purchasers of science fiction and fantasy.

For me, that is a potential target audience of 3.5 million readers.  (A conservative estimate).  So all I have to do is figure out how to connect.  And the Author’s Guild suggests that 5,000 books is a good sell for fiction…  But how to connect?

Sure, there is the standard response found in the word of the decade: “Networking.”  Advertise your blog on forums, facebook, linked-in, twitter, winken, blinken and nod.  Give readers some samples to chew on. Etc. etc.  But I am not talking about simple advertising or even marketing.  I am talking about locating and connecting.  That is not quite the same thing… if you know what I mean…  So, any thoughts?

Traveler: Storyteller Tales: Too Much, Too Little

            In the morning, they set out for Cavan on foot, the van having been repossessed in the night.  Moira had to carry Mother most of the way, but she did not mind because the cat was warm.  After a short way, Moira cinched up her jacket, partially unzipped it and the cat was content to ride against her belly like a baby and peek out now and then to see where they were going.

            Mickey walked close to Moira the whole way, and Michaela never left his side.  At first Moira thought Michaela’s attention to Mickey was because of what was following her, but after a while she realized it was where Michaela wanted to be.  The others were content to follow behind with Prickles bringing up the rear; except for Ignatius who lead them by some supposed secret elf paths which he said would get them to Cavan much quicker than the normal roads; and Pumpkin who rode on Moira’s shoulder when she wasn’t flitting off to check out a leaf or smell a plant which, after a while, all looked alike to Moira.

            “Lady, the magic you displayed was amazing.”  Mickey spent a good part of the way praising her.  He could not say enough, but after the first few heady minutes, for Moira, it was more than enough.  “You just swatted away his traps like they were no more than flies.  Swat, swat!  I can do a little magic, but nothing like what you showed.”

            Moira smiled, wanly.  “Grandma says it isn’t magic, exactly.  It is more a matter of the blood, and natural like walking or breathing, though some of it is more like learning to ride a bicycle or even higher mathematics.  You know, some of it isn’t so easy.”  She tried to explain more than once, but Mickey was just too amazed to hear her.

            “And the way these people follow you.  Why, I never heard of elves and fairies and a hobgoblin no less doing what any person told them to do.”

            “You forgot the ogre,” Michaela pointed out quietly in case the ogre overheard.

            “The ogre!”  Mickey shouted and Michaela turned red.  “How could I forget the ogre?  It is all too amazing, I tell you.  Amazing!”

            Moira called for an early lunch in the hope that Mickey would take a break to fill his mouth with some food.  Mother got down and disappeared behind a tree.  Moira thought nothing of it until Ellean spoke sharply.

            “Quiet.  I hear something.”  Everyone got still and quiet for a few seconds before Macreedy spoke.

            “I hear it too.”

            “I’ve been hearing it for some time,” Ignatius put in.  “I did not say anything though because I didn’t want to worry anyone.”

            Moira looked at Michaela.  Her grandmother had explained something of the gift that this strictly mortal woman had but it did not make much sense until she began to see it in action.  Michaela looked full of hope and she looked into the trees as if she saw something no one else could see.

            “It sounds like a hammer.”

            “A very little hammer, like a tinker’s hammer.”

            “But not on tin or any metal, I think.

            “Hard to tell.”  Ignatius looked up.  “It stopped.”

            “I never heard it,” Mickey admitted.  Moira did not either, but she looked at Pumpkin and Pumpkin’s eyes looked very big for such a little fairy.

            After a minute, Mother came strolling back from the woods as if she did not have a care in the world.  She was followed by a little man who could not have been much over two feet tall.  The man had a carpet bag in his hand and came to a sudden halt as Mother settled down at Moira’s feet.  He dropped the bag which made a great thud on the hard ground as he stared for a minute at the collection of faces.

            “Sure an’ that will be enough of that.”  The little man muttered, picked up his bag and turned.

            “Hold it right there.”  Moira shouted.  Michaela looked at her, pleading in her eyes that she not let the little man get away.  The little man ignored Moira for two steps before his feet stuck fast to the turf, glued to the ground.

            “Hey!”  The man protested, but he was not going anywhere.  He mumbled over his feet, but it did not help.  He tried some golden dust, but it still did not help.  Finally, he tried his most forlorn face and pointed it in Moira’s direction and on any mortal it would have been effective, but Moira was fuming at the moment so she hardly noticed.

            “Your name?”  Moira asked, but it sounded like a command.  The little man was shaken by Moira’s tone and immediately began to spout.

            “Mickey O’Casey O’Riley O’Toole, Seanessy Hennesy Kerry O’—“

            “—O’Fool.”  Moira interrupted.  She figure it out.  “Mickey, this is your father.  Michaela, this is the other half.  Little man, this is your son and he wants to get married, so be nice, and after that you better get in line.”

            “My little Mickey wants to marry?  Where has the time gone?  Sure an’ maybe someday there can be a grand-Mickey?”  The Leprechaun, which he was, found his feet move easily in Mickey and Michaela’s direction, but Moira barely heard or noticed.  She picked up Mother the cat and wandered off into the woods where she could shout.

            “Grandmother!  Grandmother!”  There was no answer.  “I’m not a complete idiot.  I get it!” she twirled around once in case her grandmother decided to come from a different direction.  She let herself float up above the tree tops for a good look around.  “Grandmother!”  That was where Pumpkin found her.

            “Lady.  I don’t think the cat likes to be up so high.”  Mother’s face stuck out of the opening in Moira’s jacket and looked down at the ground as if trying to figure out if she could jump and survive the fall.  Moira brought them quickly back to earth where the cat scrambled free and raced back to the others.  Moira put her hand to her face.

            “What’s wrong?”  Pumpkin fluttered slowly back and forth like a pendulum.  She felt Moira’s upset and was worried.

            “So the evil Brannigan reunited with his evil mother.  Now Mickey senior and Mickey junior get reunited.  Pumpkin, if we find your long, lost mother I am really going to be upset.”

            Pumpkin stopped moving.  She hovered and put her hands to her hips.  “I am sure your grandmother just wants you to know that you are not alone.  She loves her son and she loves you, too.  I can tell.  Fairies are very empathic, you know.”

            Moira’s jaw dropped just a little.

            “Besides.  I don’t think your grandmother is controlling the way things work out.  Everyone has to make their own decisions about that sort of thing, including you.  I think she just wants you to give your father a fair chance.  Maybe it won’t work out, but maybe it will.”  Pumpkin shrugged.

            Moira said nothing for a minute while a sly grin formed on her face.  “Get big,” she said at last.  Pumpkin complied but did not understand.  She was surprise when Moira hugged her.  “I think you are older than you act, sometimes.”

            “I know.”  Pumpkin pulled back and spoke in all seriousness.  “Sometimes I almost act mature.”  She made a face.  “Don’t tell the others.  Ignatius might start calling me human or something.”

            Moira indicate that her lips were closed, Pumpkin got little again and they returned to the others.  They started out right away and shortly came to the inn at Cavan.  Michaela roomed with Ellean and Moira.  They brought in a cot which Moira insisted on taking.  She knew she would not spend much time in the room, and while Michaela was still uncertain about being left in a room alone with an elf and a fairy, they were both very nice.  Besides, Ellean wanted to talk about Macreedy and Mickey who got a room with his father, and Michaela thought she could do that.

###

            Moira was ready when she was called to the cliff top with the crashing waves down below.  Her grandmother had two beach chairs set up with a little table between and an umbrella overhead.  Moira sat and waited, but finally she was the first to speak.

            “No lessons tonight?”

            Danna shook her head, but her mouth spoke differently.  “What would you learn?”

            “I don’t know, but it hardly seems as if I have learned much.  I mean, how much can we cover in two nights?”

            “Your father can teach you many things if you want to learn them,” Danna said.  “You met the Hibernians and see how people, when they hear about you, they may praise or blame you, regardless.  Anyway people, once touched, tend not to forget.  You have learned something about your blood and with Mister Brannigan and Madam Elizabeth you got a good idea of what it might mean to misuse it.  You have also learned what it means to have the Little Ones depend on you.  Like children sometimes, don’t you think?”

            “I’m not the motherly type.”  Moira still felt some anger from the afternoon.

            “Yes, but you gave Pumpkin a hug all on your own, and she almost sounded wise.”

            “I didn’t say I didn’t care about them.”

            “But that is all that matters in any relationship.”  Danna shifted the angle of the umbrella as the moon rose.  “Don’t want you to get moon burn.  You have plenty of freckles.  Just the right amount for your red hair an green eyes I would say.”

            “Grandma!  You’re as loony as your Little Ones.”

            “Sometimes.”

            They sat in the silence of the night and listened to the sea for a long while before Danna broke the silence again.   “You must never be afraid to ask.”

            “Will you tell me about my father?”

            “Not even his name.”  Danna shook her head.  “You must make up your own mind as Pumpkin said.  But I will tell you this.  I will love you, regardless.”

            Moira nodded.  She was glad to hear that.  She was surprised to think how important that was to her.  Danna was family, and Moira had no other family.  Not really.  She had an uncle who was a priest.  She had a crazy aunt in Dublin, and some equally crazy cousins.  She supposed they shunned her for the most part because she was a fatherless child. 

            Moira found herself in bed, one more comfortable than any cot ought to be.  She knew she needed sleep before the morning, but she could not sleep.  Not just yet.

###

            When the morning came, the troop followed elf routes again to Tara and arrived mid-afternoon.  The walk was mostly in silence except for yawns from the ogre and Pumpkin’s commentary that with all the feeding, Prickles would probably hibernate for the next six months or more.

            Moira saw him from a distance.  He just stood there, patiently waiting.  As she drew close, she saw the gray hair and was surprised once again.  She had not imagined a so-called god would have gray hair.  When she was twenty paces away, she stopped.  He made no move.  He might have tried to smile, but Moira thought he looked too nervous.  Still, he waited.  It was entirely up to her what she would do.  She knew what she would do.  She ran to him, threw her arms around him, and cried while he held her, smoothed her hair and said between his own tears, “Hush.  Everything will be alright.”

            Danna gave up the cat form, not that anyone was surprised.  She turned to her little ones.  “Take care of her.  Take care of them both, and guard the way to Tara.  This is the work you must all do.”  Then she vanished and reappeared on the University grounds in America. 

            She did not immediately trade places with Glen because she knew he would forget everything that happened, and for the moment she needed to retain her senses.  After a time with her mind half a world away, she was satisfied that they would work everything out.  “Okay,” she said it out loud before she went away and Glen came back into his own time and place. 

            Glen wondered briefly what he was doing in the woods.  He seemed to recall something about walking with Sandra, but he was not sure.  He was not sure of anything at the moment.  He felt very confused.

            He walked slowly back to his room, a single room with only a communal bathroom to remind him he was living in a dorm.  He thought about the chapters he needed to read, but turned first to that bathroom.  He found Sandra there, fresh from the shower, wrapped in a towel.  He was startled.  Apparently she was visiting some other guy in the dorm.

            “Glen.”  Sandra was equally startled.  Her heart broke to see the look in Glen’s eyes as he slowly turned and walked away.

##########

NOTE: To read this story from the beginning or to read any of the stories of the Traveler please click the tab “Traveler Tales” above.  You can read the stories on the right independently, or just the Vordan story on the left, or the whole work in order as written.  Your choice.  Enjoy. 

–Michael.

Wise Words for Writers: Wayne Gretzky

Yes, Wayne Gretzky, though he was not referring to writers at the time, I find the quote very apt.

 “You miss 100% of the shots you never take.”

How many stories have you written?  Really, how many have you finished?  And how many have you sent to a publisher, agent, magazine, other venue…….

Some people manage never to finish.  I know a book that is in the twentieth rewrite.  I kid you not.  Did you ever read Camus, The Plague?  There was a character in that story who wanted to be a writer and searched for the perfect opening sentence.  Well, the plague came and let’s just say he never finished that sentence or anything else!

Some people just like to dream (fantasize) about fame and fortune.  It isn’t just writers, but I think it may be epidemic among would-be writers.  There is the fear of rejection, and form letters can read like you never even got a shot on goal.  But hey, a hockey game is not a short event.  How many shots per game did Gretzky actually get in all that time and how many times was he turned back without even having the chance to shoot?  And how many times did he score?

You see, you must write and finish it.  Then you must send it out and keep sending it until sold or until you (temporarily) run out of places to send it.  By then you should have one, two or three more making the rounds.  Tim Allen said it well in that great-dumb movie Galaxy Quest:  “Never give up.  Never surrender.” 

Gretzky is 100% correct.  “You miss 100% of the shots you never take.”

Writerly Stuff: It’s not Writer’s Block, it’s Writer’s Drag

Writer’s block, if you believe the PR, is when you don’t know what to write or what to write next.  It is a dearth of ideas, a lull in creativity.  Writer’s drag is nothing like that.

The drag is when you have plenty of ideas, you know what you want to do next in the story, you have a good story idea to explore, but for some reason you just can’t get yourself to sit down and write it.  You wander from reading to some movie to a bath and a nap.  You hit the garden or tackle that long overdue project around the house, or maybe even do something for work.  Anything, rather than write, and the time fritters away.

I suffer from writer’s drag from time to time and as far as I know there is no cure.  It used to really bother me, to think that I had good, maybe great material to work on, but I just could not bring myself to do it.  Then I figured something out.

I can only speak for myself, but I have found that for me, writing is like a workout. A novel is like running a marathon, and it is only natural that there be down time after. Generally, writing seems to work for me like a sound wave, if you can picture that, with peaks (of productivity) and valleys (times of recovery).

Sometimes just sitting down and starting to write is all it takes to break through. Sometimes a good read or a good story on film can get the juices flowing. But most often I just need to rest it for a while, to reset my heart and reboot my creative mind..

During those valley times, I have learned to continue to work in two ways, however, so the frustration level does not get too bad.

1. I blog as a discipline so I am never completely unproductive. I come from a family of journalists and am well aware how annoying but useful deadlines can be. I also preach on occasion and it is helpful to have something to say on Sunday morning.

2. I work on the business of writing. I research agents, markets, networking, promotional and marketing ideas, and do just plain research for story ideas that I am stopped in the middle of or plan to get to, “soon.” Often, the research can get me going again, too.

So, have you ever suffered from writer’s drag?  Don’t fight it.  Give yourself the chance to catch your breath, and please don’t beat yourself up over it.  You are not alone.  As you work through your valley, I will be interested to know how it works out and if you find some good ideas of how to deal with it as you move out of the valley and toward that next peak.

Traveler: Storyteller Tales: Mother

            “Weren’t you supposed to stay inside tonight?”  Moira asked, and she frowned, but only to keep from bursting out laughing for love of every one of the knuckleheads.

            Pumpkin quickly hid behind Ellean.  Prickles looked at his feet while Ignatius slapped him on the arm, not to say the ogre felt it.  “Yeah, you big dummy.  And just look at the mess you made.  Broken glass everywhere.”

            “Hey!”  Macreedy stepped up.  “Quit picking on the big guy.  He can’t help it.”

            “Oh, so now you’re the big defender?”

            Ellean pushed between the two.  “Stop it, this isn’t helping.”

            Pumpkin, now exposed, fluttered up to Mickey.  “Hi, my name is Pumpkin.”

            “I’m no defender.”  Macreedy turned red.  “You’re just deflecting your own disobedience on him because he just isn’t the sharpest knife.”

            “He isn’t even the sharpest spoon.”

            “Cut it out…”  Ellean pushed them both to separate them

            “Do you have a name?”

            “er, Mickey.”

            “Well, er, Mickey…”

            “Sorry about the window.”  Prickles finally caught up with the first thing that was said just before Moira shouted.

            “Quiet!”  She turned back to Mister Brannigan who did not believe what he was seeing, and who was apparently seeing more than just the glamour of humanity that surrounded the others.  Moira could not tell exactly what Mickey saw other than the fairy who zipped to Moira’s shoulder as soon as she shouted.  “Now, Mister Brannigan.”  Moira started to speak, but then she was not certain what she wanted to say, exactly.  She felt some pride in all she accomplished.  She used her powers, such as they were, and most were things that her grandmother never taught her, or not exactly.  She decided the only reason she got caught by the man’s first salvo was because it came so unexpectedly.  And the only reason she was afraid of the man was because she had never faced such power before.  And the only reason he surprised her with the cloud and managed to hover above her was because he had practical experience at this sort of confrontation which she did not.  Only now what was she going to do with the man?  Those were the exact words she heard behind her.

            “Now, what are you going to do with him?”

            Danna came up alongside Moira and Michaela ran to Mickey and hugged him like she was afraid she might lose him, or lose herself, and like maybe she would not mind being lost if only they could be lost together.  Moira turned to Danna and asked a simple question.  “Is there something you can do?”  The Little ones, meanwhile, were exceptionally quiet and rather tried to pretend they were not even there, except for Prickles, who would have been impossible to be inconspicuous and who had forgotten that he was out after hours in any case.

            “Do you want me to do something?”  Danna asked while she reached out and hugged her granddaughter.

            Moira responded, more willingly than ever.  “Please,” she said.

            “Alright.”  Danna reached out her hand.  “Let me see Mary.”

            “Mary?  Oh, yes.”  Moira reached into the purse which was still on her shoulder, opposite the fairy.  She pulled out the rock and handed it over, not knowing what to think.  Danna stepped apart from them all and rapped her knuckles on the rock three times.  There was smoke that came from the rock, and it slowly formed into the figure of an older woman, not as old as Madam Elizabeth, but nearly so.  The woman stretched as if confined in a tight space for a very long time, which she was, and then Mister Brannigan said something that should have been no surprise to those around him.

            “Mother?”

            “Brian?”  The Djin obviously knew the man.  “How did I get back in Ireland?”  She turned once in a circle and stopped to face Danna.  “And don’t call me Mary!”

            “Your chosen name.”  Danna smiled and waved her hand.  Moira’s bubble around Mister Brannigan melted and the man turned to the Djin with some pleading in his voice.

            “Mother.”  He repeated himself.  “Get me out of this.”

            The Djin paused and looked at her son.  She shook her head.  “There is no getting out of this.”  She pointed at Danna.  “I have a bad feeling about this, and I don’t mean a good-bad feeling.”

            “Why?”  Mister Brannigan protested.  “Who is this woman?”

            “THE goddess,” the Djin answered.

            “What?”

            “Hush,” Danna said, and the man could no longer speak or move.  There was no magic involved, no bubble, no sign of light, like his pink magic or Moira’s magic like the sun, or even the Djin’s darkness, there was no magic of any discernable kind at all and yet the man could neither move nor talk, though he could still see and hear and understand.  “Now, Mary, you have a choice.”

            The Djin squinted her eyes tight as if she expected Danna’s words to hurt in some way.  “Go ahead.  I figured the rock was only temporary.”

            “Not at all,” Danna said with a smile.  “It can be permanent if you like.  I think you will make a fine door knocker, and a real discouragement to anyone not welcomed in the halls of Tara.”

            “Where’s the choice?”

            “Well.”  Danna paused, dramatically.  “I could let you take your son home, but of course you and he would have to become fully human.  He has certainly tortured his neighbors enough for one lifetime.  Then again, he has amassed a bit of a fortune so you would not suffer any want in the rest of your days, but the choice is yours.”

            “Mother?”

            “Hush.  I’m thinking about it.”

            “Mother!  And what becomes of me if you decide to be a door knocker?”

            Danna said nothing..

            “I suppose we will have to go to church,” the Djinn said.

            “Oh, the way you like to torture people.  You will make a great church lady,” Danna said in a voice that suggested it should be no hardship.

            “And my son will have to get a job?”

            “Certainly he will want to do something, don’t you think?”

            “Something awful that he will hate?”

            “Mother!”  Now Mister Brannigan was really objecting, but Danna merely shrugged.

            “Alright, you convinced me,” the Djin said.  “It isn’t safe for me out here anymore with you hanging around and it beats being in that crampy old rock.”  The woman stretched.  Danna clapped her hands.  Apparently that was all there was to it.

            “Take good care of him, Mary,” Danna said, and she waved in her way and both the former Djin and her formerly half-Djin son vanished.

            “You don’t mess around,” Moira said.  “Did you know that was going to happen in advance?”

            “Not really.”  Danna spoke honestly enough.  “But if you hang around Little ones long enough you will discover that those sort of coincidences seem to come up all the time.”  Danna turned to the Little Ones and they shied away as if not paying attention.  “Go to bed,” she said and waved her hand, and the Little Ones all vanished to appear again in their rooms and in their beds.  Then she turned to Mickey and Michaela who were still holding tight to each other.  “Aren’t they a nice couple?”

            “She kind of towers over him.”  Moira pointed out the obvious.

            “Details.”  Danna dismissed Moira’s thought.  “Well?”

            “Well what?”  Mickey found his voice.

            “Go home and pack.  Both of you.  You and Moira and her friends have a long journey tomorrow.  And bring the money from the poker game.  That should be enough to get you a fine cottage.”

            “But we’re not married.”  Michaela pointed at herself and Mickey but did not let go.

            “Details,” Danna said, and she and Moira vanished from that place to appear on their hill top by the cliffs and the sea.

Wise Words for Writers: George Santayana

I was reminded in my post concerning writer’s block that sometimes people simply don’t know what to write.  Maybe this will help.

The quote appears in many different forms, but credit tends to go to the poet and philosopher George Santayana: “Those who cannot remember the past are condemned to repeat it.”  Santayana’s quotation, in turn, was probably a slight modification of an Edmund Burke (1729-1797) statement, “Those who don’t know history are destined to repeat it.”

I knew this quote for years and thought it wise enough, though not exactly accurate.  History never precisely repeats, though it plays some tight harmonies at times.  When this crossed my desk recently, however, I suddenly saw it in an entirely different way.  I found it inspiring for numerous story ideas and plot twists.  Follow:

1.         This might be a kind of Hell for the evil character in a story after he loses the final confrontation – to have to go back and constantly lose over and over. 

2.         Of course, it need not be a literal Hell.  It might just be in the mind, perhaps in prison, haunted in dreams, replaying the scene again and again – loser.

3.         I once saw an episode of Doctor Who where the Doctor and his companion got caught in a time loop.  They worked a way out of it, but think.  To have to repeat the same bit of life over and over.  Would it be worse if it was an indifferent bit of life?  This is an idea used in many stories since that time.

4.         Of course, my next thought was the film Groundhog’s Day.  He eventually got out of it too, but he had some freedom in the process and used that time in interesting ways.  This has also been used in many stories since, most recently in the show, Supernatural.

5.         I suppose this is something that could be used by the bad guy to torment the innocent.  On the other hand, at the end of the Worm Ourboros, everyone is sad because the struggle is over and the days of glory, honor and adventure are done.  But then the envoy arrives and they all cheer because they get to start over again from the beginning.

6.         What if you could really take a do-over?  What if you had a kind of super power?  I do remember one short story where a man had a watch – but the plane blew up and he got sucked out before he could do anything.  (I think he had something like ten seconds).  He couldn’t see the watch in the dark and felt sure he was miscounting the seconds which meant eventually he would go splat!

7.         24

8.         Dorian Gray kind of fits into this kind of thinking, though I am not sure where, exactly.

9.         In Dungeons and Dragons, the time loop is the classic answer to the player who wishes for an infinite number of wishes.

10.       Scrooge did not get to repeat anything, but Christmas Past did give him a chance to see his own past through his own elderly eyes.  It changed him.

11.       Did you happen to catch the Wall Street Journal last week?  They had a chart for the stock market comparing recent months with 1937.  It is eerie how the two lines matched in their ups and downs.  It is frightening to see on the chart just how on the precipice we are.  At this point in 1937, the bottom dropped out and the market lost 30, 40, near 50% in value in a short time.  (That’s why they called it the Great Depression).  Are we facing the same thing?  What if we are?

12.       They say doing the same thing over and over, expecting a different outcome is a sign of insanity.  I wonder if that might be applied to the human race as a whole…

There.  You have an even dozen thoughts, and I was thinking since I wrote last time about writer’s block, the least I could do this time is offer some ways out.  If you don’t like Santayana, believe me, there are plenty of other quotes out there to choose from.

Writerly Stuff: Writer’s Block

Is there such a thing?

Some people strongly swear by it and treat it much like a disease in need of a cure.  I have heard plenty of cures, and some are more fantastic than others.  It reminds me of the days of the Bubonic plague in Europe. 

You know, there were people back then who swore the plague was spread by the smell of death.  On the one hand, it encouraged them to dispose of the dead rapidly—which was a good thing.  On the other hand, people doused themselves in perfume and hung strings of fresh picked flowers around their necks so all they could smell was lilac and honeysuckle – or whatever.  I am not sure if the aroma of all that perfume might have been worse.  I am one who avoids those counters at the entrance to department stores.  But I was thinking, the next time you suffer from writer’s block, try hanging a string of fresh cut flowers around your neck.  It might not help, but at least you will smell good for a day or two.

Of course, some people steadfastly deny that writer’s block is real.  You’re just being lazy, they might say.  Buckle down and get back to work.  Sadly, we all know someone who never seems to be bothered by the block disease.  How frustrating!

I can only speak for myself, but what I have discovered is when my work comes to a grinding halt (and all halts should grind) it is because something in my work is not working.  My conscious mind doesn’t know this or see it, but my subconscious will not be fooled.  Somewhere in chapter three (or so) I didn’t set things properly or I started down a different road and left it to dead end.  Maybe one of my characters changed like from worm to butterfly without sufficient time in the cocoon. 

Somewhere, somehow I got off track and occasionally a re-read is all it takes for the mistake to jump out at me.  Sometimes, though, I have to set the work aside and work on something else, or I at least have to sleep on it to grasp the problem.

Now, I am not saying writer’s block is real or illusion.  And I understand how it might be caused by any number of factors from too much stress to too many distractions to too much muchness going on.  But I suggest if like Dorothy you are looking for your heart’s desire, you first try looking no further than your own back yard.  It may well be you missed it or got off somewhere in the work itself and your soul is making your fingers take a time out until it is fixed. 

What is your take on this?