Avalon 1.4: Grounded.

            Saphira connected the last wire as the Balok ship moved.  It dropped down in the sky, but not far, and began to disgorge small ships, probably fighters from an open bay.  Saphira spoke when the first was launched.

            “Set the radar on the mother ship.  The pulse is tied to the radar.”

            Katie knew that, but this reminded her not to be distracted by the fighters.

            When the second fighter was successfully launched, Saphira spoke again.  “Ready.  Boston?”  She had to shout, but Boston answered.

            “Almost.  Just a minute.”

            A third fighter got launched and away before Saphira said, “Go.”  To be sure, her fingers were crossed in one hand while she threw the switch with the other.  Theoretically, the microwave pulse should burn out every electrical system on the Balok ship, provided they used electrical systems and provided the Balok screens were not strong enough to ward off Saphira’s strike.  Even Martok could ultimately only use what was available to him.

            The pulse went out, and there was a second where nothing seemed to happen.  Saphira had to take her finger off her switch lest she burn out the Stick systems.  The Balok ship began to wobble.  By the time Saphira joined Katie at the radar scope, the Balok ship was plummeting to the ground.  It fell like a stone and exploded on impact.  It was not an atomic explosion as Saphira feared it might be, but it was big enough to assume there were no survivors.

            “Boston?”  That left the three fighters.

            “Ready!”  The word echoed in the stick ship.

            “Zero in on a fighter,” Saphira said, but Katie was already doing that. 

            “Now.”  Katie spoke into her wrist communicator, and Boston sent out a plasma pulse.  The Balok fighter disintegrated in a crimson ball of fire.  Immediately, the two remaining Balok fighters began to move around to avoid being targeted, but Katie and Boston got a second one before the last dipped below the radar.

            Saphira grabbed Katie’s hand and spoke into the wrist communicator.  “Lockhart.  One fighter landed.  Meet us at the front door.”

            “Already there,” Lockhart responded.  They vacated the stick ship for the firm ground, and a few of the stick people followed them.

            The stick leader looked sick.  He bobbed up and down a couple of times before he spoke.  “You are mad, like the Balok.  We did our very best to escape them, but since they found us it would have been better if we had died than participate in their madness.”

            No one knew what to say until Alexis stepped up.  “You have the right to live in peace.”

            “We have no right to take life,” the leader said, and with that he moved his people away from the travelers. 

            “I guess we screwed up,” Lincoln said even as Saphira, Katie and Boston came huffing and puffing down the ramp.

            “Alright,” Saphira said.  “We need to find that ship.”

            “They would rather die than be part of the killing.”  Alexis summed things up and pointed to the stick people who were keeping their distance.  Saphira looked, but she had an alternative view and said so in her own tongue.

            “We are protecting my people.  We are protecting the human race, even if I am sorry the stick people got in the middle of it.  We won’t survive if the Balok come here.”  That seemed to satisfy the group.  “Now, I want to split us up.  Despite the X-whatever-teen single man fighters are current with your military, most space fighters have two occupants.  There are too many systems to keep track of.  So Decker and Roland, you take Coramel’s sons and circle around quietly to approach the fighter on the flank.  The rest – where is Mingus?”

            “Doctor Procter has taken a fever,” Roland said and Boston looked at Alexis.

            “I do wounds, occasionally help avoid surgery.  I don’t do sickness.”

            “Alright.”  Saphira adjusted her thinking.  “Alexis, would you stay with your father and Doctor Procter?  We should probably leave someone here to watch over the stick people, even if they don’t want our help.  Katie and Boston, Coramel, Lincoln and Lockhart.  We go straight for the ship.”

            “Works for me.”  Captain Decker checked his rifle.

            “A last thought,” Saphira stopped them all.  “We need to kill them.  No, there is no alternative, and do not hesitate or they will certainly kill you.”

            Roland nodded and lead the way into the open fields.  They stayed in sight for a time before they dipped down into a gully.

            “We go.”  Lockhart had judged the time and distance, and they started off into the tall grass.  There were stubby, non-descript bushes here and there and the occasional tree, but it was mostly grass to the knees and sometimes to the waist.  There was no way to move quietly, but they spread out and kept their eyes and ears as open as they could.  A slim trail of engine smoke still rose into the air in the distance.  They headed straight for it.

            When they topped a rise, they saw the ship down below, and it was much larger than they had imagined.  The grass was much taller there, too, being on the side of a hill where most animals would not bother to graze.  All things considered, it should not have come as a surprise when the serpent rose up and wrapped itself twice around Boston. 

            Boston screamed and struggled, and that made it hard for the others.  They dared not fire at the creature for fear of hitting Boston.  The snake kept trying to bite her, but it could not get its head at a good angle.  Saphira dropped her bow and waited three seconds for an opening before she brought the butt end of her spear down on the snake’s head.  The snake nipped at her, but by then the others were moving.

            Lockhart pulled the same stunt with the stock of his shotgun, and the hit appeared to hurt the serpent.  Lincoln and Lieutenant Harper were still trying to get off a shot, but Coramel came up with a stone between his hands.  The snake responded by showing a hand of its own.  The hand pealed out from the side of the creature and it held something.  There was no sound or light or anything, but Coramel dropped to the ground, stunned, maybe dead.

            Then the snake took Boston to the ground while Boston screamed the words, “I can’t breathe.”

            Lincoln went to Coramel while Saphira’s next shot hit the snake in the hand.  It dropped the weapon but began to roll down the hill with its captive.  Lockhart, Saphira and Lieutenant Harper followed, and when Boston and the creature slowed, Lockhart managed another whack at the creature’s head.

            The snake roared from pain and appeared to speak, though no one knew what it was saying except Saphira.  Then it suddenly let go of Boston to slither away in the grass.  Saphira, with the snake’s weapon in her hand, went to her knees beside Boston.

            When the serpent reached what it no doubt imagined was a safe distance from the primitives, it put its rear legs down and reared up eight feet in the air.  It spoke again, more clearly as another hand made itself known, and whether they retained some vestige of the primal tongue of Shinar or the magic of the Kairos was working overtime, they all managed to catch one distinct word.  “Die.”

            “Balok!”  Lockhart shouted to distract the snake, and Lieutenant Harper’s rifle went off.  The creature looked stunned as the bullet tore through its neck.  Then Lockhart fired the shotgun and the snake head shredded.  The body fell after a moment.

Avalon Season 1.4: The Hunt

              Saphira and Captain Decker came up from one side.  The Captain no doubt thought he was protecting the woman, but Saphira wanted to keep an eye on the man to make sure he did not shoot anyone, needlessly.  Roland came up from the other side, and she knew whoever it was would not hear the elf as long as Roland did not have some noisy human by his side.

              Captain Decker stopped her with a hand on Saphira’s shoulder.  She had already seen the men, or three of them, but she thought to grab Decker’s hand and turn her head to look into his eyes.  She paused before she dropped the man’s hand and showed great restraint.  “Not a good idea,” she whispered, but now she had her pent-up energy to release.

              Saphira stood, her spear ready, and she reverted to her native tongue.  “Alright you men.  Get up and show yourselves.”  Saphira spoke loud enough for her voice to carry.  Some nearby stick people woke up and looked.  “You’re surrounded, so there is no point in trying anything.  No one needs to get hurt.”

              The men stood, though they held tight to their own spears.  Those stick people who noticed got up and scurried away with a sound of alarm and a clapping of hands.  The men had been camouflaged, having branches and such attached to their clothing.  There was no telling how long it took them to inch up close to the camp.  Decker was ready, just in case, and in the rising light, Roland showed himself.  Roland was just as ready, but he relaxed a little when the elder of the three men spoke.

              “Saphira.  What are you doing here?”

              “Right now?  Hunting fools, Coramel.  And who are these two idiots with you?”

              “These are my sons,” Coramel said, proudly.

              “Are you lacking any brains like your father?”  Saphira asked.

              “Yes, er, no.”

              “We wanted to see the strange creatures.”

              Captain Decker tapped Sapira on the shoulder this time.  “I take it you know these particular idiots.”

###

              Boston and Katie used their flashlights to get back into the ship and found that indeed the stick people had begun to “fix” things back to the way they had been.  It was going to take some work.  They returned and reported to Lockhart even as the light began to glimmer across the horizon.  They took a bit of bread for breakfast and then figured they had better get started rather than wait for Saphira.

              Boston was pretty sure she could redo what the stick people had messed up before the night made the sticks stop working.  She was not worried, though, since Martok calculated at their present rate of speed the Balok would not arrive until mid-afternoon.

              “Plasma cannon looks untouched,”  Katie said.

              “Looks can be deceiving,” Boston countered as she began to examine the jury-rigged work.

              “Well, at least the screen enhancements are still in place,” Katie said, and Boston nodded with a grunt as she followed a circuit line.

              “I don’t imagine the stick people are stupid,”  Katie continued.  “Anything that might help them ward off the stray asteroid or radiation in space would be appreciated.

              “I’m sure,”  Boston mumbled, but she was not really listening.

              Katie nodded.  “I guess I’ll have a look at the radar array.  Hopefully they left it alone.”  She wandered off slowly, but it was not long before Boston heard the words.  “What the Hell were they thinking?”

###

              Saphira brought Coramel and his sons to the others and made them sit and keep still.  Alexis got out the bread so they were content.  “And if you so much as touch one of these stick people, I’ll have to kill you,” Saphira said.

              “Yes, mam.”  Coramel grinned.

              “Father?”  One of his sons questioned what their father meant.

              “Son.  You must always do what the golden lady says if you expect to be rewarded.”

              “Her?”  The other son was not shy to point.

              “Golden lady?”  Lockhart asked.

              “I’m expensive,” Saphira said.  “Only the best.”  Then she thought she had better to go check on the work inside the ship.

              “Damn!”  The word echoed out of everyone’s wrist communicators.  “The Balok must have overdrive.  They just entered the atmosphere.”

              Saphira said something, too, and it was a bit stronger than “damn.”  She grabbed Lincoln and marched to the stick ship.

              Once inside, Saphira set Lincoln by the screen array.  “If they come in firing as I expect, you just keep your finger on this button.  She checked the damage to the plasma cannon she had built.

              “I can fix it,” Boston insisted.  “I just need some time.  You need to check the microwave chamber.”

              Saphira went to do that very thing and did not swear too much.  She had it rigged to send out a microwave pulse, but the stick people had started to dismantle it.  Besides, by then she was swearing at herself for not anticipating this.

              “Bring everyone inside.”  The call went out over the wrist communicators.  When the Balok ship appeared as a dot in the sky, the stick people did not have to be encouraged.  Apparently they had very good eyes.  They scurried toward the ship, clapping and howling.  They hardly knew what else to do.  Coramel and his sons were reluctant to enter that strange place, but they were given no choice.  They stood with the travelers by the open door and watched.

              “Strafing run.”  Lieutenant Harper recognized the move on her radar.

              “Lincoln finger!”  That was all Saphira had time to say.  She was too busy.

              Lincoln pressed his finger as hard as he could against the button, and when the Balok ship came low and let out a blast of its main gun, that energy pulse was repelled.  The Balok ship rose up to what they had to believe was out of range and paused.  The Balok Captain was no doubt considering his options.

              “It’s overloading,” Lincoln shouted.

              “Finger off the button.”  Everyone yelled at him, but Lieutenant Harper had to step up and help put out the small electrical fires.

              “What are they waiting for?”  Lockhart’s words came into the ship over his wrist communicator.

              “We are working as fast as we can,” Boston yelled back, having misunderstood the question.  “Almost there.”  But their homemade weapons were still off line.  The Balok had them, only they did not know it, yet.

Storyteller Wednesday: What about Creative People?

Do you belong?  What is it about creative people that they don’t belong, not exactly, not entirely – anywhere.  Artists, musicians, writers, certainly storytellers are never quite comfortable with the routines of work, school, family life, relationships.

Play is often a creative exercise in itself.

Work is never a comfortable subject.  Many creative people, if unable to find work in their desired creative field (such as being unable to make a living with their writing) often drift through work and careers like fall leaves in the wind.

Family life and relationships are hard when the one wants full attention but the other has their mind on the next chapter or the melody or the colors in motion.  It is a wonder such people get married; but just look at Hollywood to see how well marriage sometimes works out.

Creative people are not necessarily outliers, but they are often outsiders.  Many are content to sit back and observe rather than participate.  Oh, participation is very important when it is related in some way to the creation, but in general observation is the norm.  And people recognize this in the creative types and often treat creative people a bit like outsiders.

Being absorbed in a truly creative project can be overwhelming and not leave much room for other people.  It takes a special kind of spouse to understand this.  It takes understanding children and an understanding boss – if such things exist.  You can give a dissertation to a creative soul and have them say when you are done, “What?  I’m sorry, were you saying something?”

Creative people belong where the creative act is ongoing.  Creative people do not necessarily belong anywhere in what most call daily, regular, ordinary life.  Listen.

D. L. Moody once had a young man in his office who said he felt called to be a preacher.  Moody asked the young man if there was anything else he enjoyed.  “Why, yes.  I love mechanical things, working on and fixing cars.”

Moody responded, “Then go be the best auto mechanic you can be.  If you are called to preach, God won’t let you do anything else.”

That is sort of the way it is for creative people.  The art, music, craft, storytelling generally won’t let a person do anything else.  When driven to do other things, there is always the sense of being a bit of an outsider, like, “This is not where I belong.”

Hence the question.  Do you belong?

Avalon Season 1.4: The Heart of the Matter

            Boston had a good sunburn, but Alexis found some aloe in the medical kit and managed to keep her from blistering.  Boston explained.  “I got too close to the plasma engines, but I think we cooked up some good surprises if the Balok come around here.”

            Saphira looked up from where she was resting on the ground.  “You mean when they come.”

            “I think that Martok is brilliant,” Katie said.

            Saphira smiled.  “Martok says thanks and you’re not so bad yourself.”  Lieutenant Harper found her own cheeks redden a bit.  She forgot the Kairos remained in close contact with other lifetimes, especially ones recently accessed.  She looked to Lockhart for support, but he just smiled like Saphira.  Alexis saw something in the way Katie Harper and Robert Lockhart looked at each other and she looked at Lincoln, but he simply looked away.

            “Stay out of the sun,” Alexis sniffed and stood to walk off by herself for a time.

            That evening the stick people built a great bonfire, not much different than the one built by Ranear’s Neolithic tribe.  Mingus lit this one to their delight.  They did not cook their food and only ate what looked like water with some dirt in it.  They also hardly needed the warmth in that climate, but they seemed to like the light.

            One of the Thets came up to be friendly.  At least Alexis thought it was a Thet.  It was hard to tell.  She also had no idea how to distinguish males from females and was working on that problem when Saphira suggested they might be uni-sexual.  Of course, Saphira went on to explain, in more detail than necessary, how glad she was that humanity had two sexes, and Alexis had to remind herself that in this lifetime the Kairos was a whore. 

            “You have a beautiful planet,” Thet began.  Alexis looked over and saw the one she thought was leader sitting between Lockhart and Captain Decker while Lincoln scribbled notes on his pad.  “You have many children and much variety.”

            “I’m sorry?”  Alexis tried to focus in. 

            “When we first came to the ground there were many of your children who moved away to make room for us.”  Thet sat on the ground.  The trunk kept the stick person straight up and down while the legs bent and the feet set some distance from the body.  It gave the person the appearance of a three legged stool, very hard to knock over.  Alexis later learned that the stick people slept in this position as well.

            “Animals.”  Alexis grasped what the stick person was saying.

            “Yes, and such a rich variety.  You must be very proud of them.”

            “Yes.”  Alexis said.  She could not bring herself to say, we eat our children.  Somehow she knew that would not be taken well.  Fortunately, they shortly heard the sound of drums.  It was a steady beat.  Then something of a cross between an oboe and bagpipes began to play.  It was dominant and tonic followed by tonic and dominant.  As it played on, Alexis wondered if the stick people ever discovered any other notes.

            “What the heck is that?”  Captain Decker held his ears.

            “I think it is music, sir,” Lieutenant Harper responded.

            “Catchy tune,” Lockhart quipped.

            “I like it,” Boston interrupted.

            “Yeah, good luck getting that melody out of your head,” Lincoln added.

            The stick people shrieked in delight and sounded much like the children.  Soon there was a line of stick people around the bonfire.  They moved in a circle, bent near ninety degrees forward and then bent near ninety degrees backward as they moved.  It looked like their legs were attached to their trunks by ball joints.   All the while the people waved their bent hands and shouted in delight.

            “Now what are they doing?”  Decker asked.

            “I think it’s dancing, sir.”

            Alexis imagined Boston might have liked to join them in the dance, but she was so burnt, she dared not get too close to the fire.  She saw the children off to the side.  Some of the bigger ones were imitating the adults, like they were practicing.  All was well, she thought.  These good people were well worth saving.  She held on to that thought when she lied down that night and slept in her own space without touching Lincoln at all. 

            Alexis woke in the wee hours just before dawn.  She found Saphira and her brother awake.  She watched without a word as Captain Decker came to join them.  “Not one shot!”  she heard the stern command in Saphira’s whisper and she sat up, worried.  They looked at her so she spoke what came to her mind in the night.

            “Do you think the stick people might have repaired the damage you did to their systems in the night?”

            “We didn’t damage any of their systems,” Saphira responded.

            “But you rewired things and changed things.  Did they really understand what you were doing and why or did they just watch so they could put it all back after you were gone?  I doubt they understand weapons and probably imagine the Balok were mistaken and certainly would not follow them here.”  Saphira finished her thought.

            “They fled their home world to escape the Balok, but –“ Saphira nudged Boston and Katie and instructed them quietly to return to the stick ship and check on their work to make sure it was not tampered with.  Then she hushed Alexis and took Roland and Captain Decker into the dark.  Alexis only heard Saphira’s strong whisper once more.  “No shooting.”

            Boston and Katie stayed visible longer beside the embers of the bonfire, but soon they also disappeared into the dark.  Alexis looked to the sky.  She knew the sun would be up soon, but it was hard to tell how soon.  She felt a touch on her shoulder.

            “What is it?”  Lincoln asked as he touched and then held her arm.  He propped himself up on one elbow.

            “I don’t know,” Alexis answered.  “Boston and Katie wandered off that way to check on their work and Saphira, Roland and Captain Decker went off that way like they were leaving the camp.”

            Lincoln tried to smile.  “Don’t worry.  I am sure we will find out what is going on soon enough.”

            “Why are you awake?”  Alexis wondered.

            Lincoln’s smile fell away and he let go of her, but stayed propped up next to her when he answered.  “I guess I don’t need as much sleep as I did when I was old.”

            “Is being young again that hard for you?”  This was a serious question and Lincoln knew it.  He made his serious face before he shook his head.  Then he would not look at her.

            “I’ll adjust.  It is just seeing you young.  You are so –“ he softened his voice to barely a whisper.  “—beautiful.”  He paused to cough and clear his throat.  “We don’t have to still be married if you don’t want.  This is like a new life.”

            “Why would I not want to be married?”

            “It’s just.”  Lincoln was having a hard time framing the words.  “You could have anyone.  Why would you want me?”

            “Lincoln!”

            “I mean, I know you were not exactly happy those last years.”

            “I was happy.”

            Lincoln frowned at her.  “I got old, complacent, grumpy.”

            “You’re not old now.”

            Lincoln smiled, but just a little.  “Neither are you.”  She hugged him.  “To be honest, I woke up because you weren’t beside me.  I don’t think I could sleep if you were not beside me.”

            Alexis tackled him, landed on top of him and grinned mightily.  “Even if I don’t have the blood or form anymore, I am still an elf at heart.”

            “I remember.”  Lincoln got out that much before they kissed.

            The sun was starting to break the darkness, but they did not care.  They also did not hear Mingus mumble, “I think I am going to be sick.”

Avalon 1.4: Sticks and Stones.

            “Let me see,” Saphira insisted and reached out for the binoculars.

            “Hold on,” Lieutenant Harper groused.  “You’re as bad as Boston.”  She slipped them from her neck and handed them over.

            “Which is why I get them next,” Boston said.

            “There are children down there,” Saphira confirmed.  “This is much bigger than the stick ship I ran into before.  I think that was a scout ship.”  She handed the binoculars to Boston though Alexis wanted a look as well.

            “We’ve been spotted,” Roland said and pointed.

            “Where?’  Captain Decker turned his own binoculars to get a look.

            “Come on,” Saphira stood.

            “Is it safe?”  Lincoln asked. 

            Saphira nodded.  “Last time I got the impression that they had no weapons.  I’m not even sure they know what weapons are.”

            Alexis skipped her turn with the binoculars and joined Saphira in the march down that little hill.  She wondered what grace the Kairos might show to what appeared to be refugees.  Saphira spoke in an alien tongue, but the travelers understood full well what she was saying.

            “Hey!  You can’t park here!  I told your people last time.  This world is off limits.”

            Alexis rolled her eyes, but smiled.

            Several stick people came up to meet them, clapping their hands.  They did look like logs and had no shoulders or neck between the trunk and head and no hips at all.  They were skinny as well, anorexic maybe, and their eyes were so close together it was a wonder how they could manage stereoscopic vision.  They were brown, like the color of wood except their arms and legs which were gray.  Those two arms and two legs looked human shaped with elbows, wrists, knees and ankles but they were truly thin as sticks.  The twelve toes on each foot and four fingers on each hand, one being a thumb, looked like twigs.  It was a wonder they could hold themselves up with those spindly appendages.

            Lockhart extended his hand, but Saphira interrupted, speaking in her own tongue.  “No, no.  Don’t do that.  They are like petrified wood – like steel.  They might lose at arm wrestling, but in a handshake they would crush your flesh without realizing what they are doing.”

            Alexis wondered again.  She now had three languages in her head.  The English never went away, only now she had an overlay of Saphira’s tongue and the sounds of the stick people.  She had to think about that last one, though, to frame her question.  “What happened?”

            The stick people looked at each other before one of them answered.  “We were attacked.”

            “Who is the leader of this ship?”  Lockhart asked his question. 

            “I am.”  One of the stick people answered and he let out a wail and began to bob up and down.  It was a sound and action picked up by others until it had spread its way all around the refugee camp.

            “Who attacked you?”  Lockhart continued when he could.

            After a while, the leader settled down and answered.  “They call themselves Balok.”

            Saphira suddenly interrupted with a string of words, or actually only one word in many languages; the primal language of Shinar, Pan’s, Iris’, Keng’s and Ranear’s languages.  She spouted in her own language and in English.  And it was not a nice word.  “Let me see,” she insisted and began to walk straight for the ship.  The others followed including the Stick leader and his people.

            Balok?”  Alexis caught up.

            “Think of the serpent in the Garden of Eden.” 

            Outside the ship, Saphira turned to the group following her.  She looked around and there were other stick people inching close.  She decided curiosity was a powerful motivator, whatever the species.  She spoke.  “Boston and Lieutenant Harper.  I could use your help.”

            “Katie,” Lieutenant Harper said.

            Saphira nodded.  “I knew that.”  She turned to the sticks.  “Leader, bring two of your people to show us the way but everyone else please stay outside.  We are going to have to concentrate to get any work done.” 

            The Leader appeared to understand, at least that they wished to see the inside of the ship.  Two stick people followed them, but if the leader made a signal to designate who, none of the humans caught it.  They followed the sticks into the heart of the ship and Boston’s first word were telling.

            “I saw more sophisticated stuff at M. I. T.”

            When they got to the scanner, Katie added her voice to the chorus.  “This looks like plain ordinary radar.”

            “Probably is,” Saphira responded.  “Is there a way to push our sight beyond the atmosphere?”  Katie shook her head.  The stick leader had a question.

            “Why do you wish to see beyond the atmosphere?”

            “Balok,” She frowned before she explained.  “They believe they should be unique in the universe, that everything exists for them alone.”

            “But don’t humans have a similar view of creation?”  Boston asked.

            Saphira nodded.  “But the Balok want to make their belief real by exterminating all other forms of intelligent life.   Given the Earth, they would probably try to kill everything down to the intelligence level of a dog, just to be safe.”

            “I assume there is no talking to them.”

            Saphira just shook her head.  “I have to go.  Martok is the one who needs to get a look at this.  One of you lend me a piece of fairy weave.”  Boston separated a piece of her long pants and thought she might live in her shorts in that climate.  Saphira formed the fairy weave into shorts herself.  She stood, turned her back and left that time and place while Martok came from the far future to fill her space.  He dressed with his back turned to Lieutenant Harper and she did not realize Martok was not human until he turned around.

            Katie drew her breath in.  The excessive hair on Martok’s arms, legs and chest caused her to look close at the hair on his head.  It looked more like fur, but it was the eyes that gave Martok away.  They looked yellow, like cat’s eyes or maybe like the eyes of the snake-people they were expecting.

            “Hello Boston, dear.”  Martok spoke in a deep voice that sounded human enough but seemed odd given his height of barely five feet.  Of course, Boston had met Martok before.  She simply waved as she wandered off to look around.

            “Wait.”  One of the stick people spoke to Boston and everyone looked.  “That is a microwave chamber, part of the propulsion system and very dangerous.”

            “Microwaves?  Oh good!”  Martok raised his voice and both Katie and Boston caught a better glimpse of the fact that Martok was not human.  “Now, the visuals.  Leader, where did you lose the Balok?”

            “Out where the rocks circle around the star.”

            “The Asteroid Belt.”  Martok nodded and tore the back off the radar equipment while the leader watched and clapped his hands in worry.

###

            Outside, Alexis turned to the stick person beside her.  “Do you have a name?”

            “Thet.”

            “I’m Alexis.”  She smiled and turned to the other one.  “And what is your name?”

            “Thet.” 

            Alexis wrinkled her brow.  “Your name is Thet and your name is Thet?”

            “No, my name is Thet.”

            “My name is Thet.”

            Alexis looked around, but all Lincoln, Lockhart and Captain Decker could do was shrug.  Mingus stepped up.

            “That’s what you get, daughter for having human ears,” Mingus said.

            “I like her ears,” Lincoln objected.  Alexis looked at Lincoln and the look on her face said, “Do you really?”

            “Watch.”  Roland stepped up and had his bow in his hands with an arrow on the string.  When he let it go, though, the arrow stayed in his hand while a glowing ball shot up into the sky.  When it reached some height, the ball exploded into gold and silver sparkles in a perfect imitation of fireworks.  His next shot was red and green and all the little sticks came running, squealing in delight.

            Several adult stick people chased the little ones, and the two still with the group moved quickly to intercept them.  “No, no.”  The stick people shouted.  “Do not touch them.  Sit.  Do not touch.” 

            One of the Thets returned with a clap of his hands and a word.  “Please take no offense.  We do not know if the children may have a sickness to which you have no defense.”

            “Quite alright,” Alexis responded.  “We may have some sickness your people can’t handle as well.”  The stick person bowed even as the ship groaned and made a noise much like a bad set of truck brakes.  Alexis quickly turned to her wrist communicator which she had hardly ever used.  “Everything alright?”

            The word came back.  It was a deep male voice which they did not expect.  “Fine.  Boston just got an instant suntan is all.”

            “I’m as red as my hair!”  Boston complained.  The others did not know what to say so they turned to watch Mingus who was presently entertaining the kids juggling balls of fire.

Wise Words for Writers: Why we had a President Named Calvin

People ask, what is the most important thing necessary to be a successful writer?  You see this question posed regularly on forums around the net.  Answers vary. 

You have to hone your writing until it reaches professional standards.  You have to learn to create realistic characters who relate through realistic dialogue.  Show, don’t tell.  Develop an unique, strong and positive voice.  Start with a main character in a situation (problem, dilemma), not with background.  Learn to conclude.  Write so the reader will keep the pages turning.  Edit well.  (And my favorite): Tell a story that is worth reading.

All these are good suggestions for writing a novel, but none are most important.

Then you get notes from the other side of the coin:

Learn how to market your work.  Get your name out there.  Build your brand.  Network, if you hope to make sales.  Get reviews – find reviewers you can trust to say good things.  Facebook, linked-in, tweet, and talk to actual human beings.  Give interviews, book signings and sell, sell, sell.  And all these are good things, too.  But again, not most important.  And hardly relevant to the beginner who has yet to see something in print…

In my mind (with absolutely zero statistics to back this up) I imagined reality is something like this:

100,000 books are written this year.  90,000 suck, but of the 10,000 good ones, only a few will see print.  Most agents will tell you, the bad ones are easy to spot.  The hard part is deciding between the good ones – which ones do they honestly believe they can sell.  Agents don’t make money unless they sell.  But here’s the thing:

Of that 10,000, some 9,000 will never see the light.  They will never be sent, anywhere.  Fear, low self-esteem, no self-confidence and so on are your friends… in other people.  Still, that leaves 1,000 books in competition.  For maybe 900, the writers will receive a couple of rejections and give up.  Whether they decide it is too much work, they can’t handle rejection, they lose whatever confidence they had or whatever, they quit.

Out of the 100 books left, it may take 100 tries to find your place.  It may take 200 tries if some of the thousand luck out and get accepted before the couple of rejections turn them off. 

So then I came across the “most important thing” question on yet another forum, and it occurred to me there is a reason why we had a President named Calvin.  Here is what he said:

Nothing in the world can take the place of persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent.  – Calvin Coolidge 

As the Captain in the movie Galaxy Quest said:  “Never give up.  Never surrender.”  That is truly the most important thing if you hope to be a successful writer… or a successful anything else for that matter…

Storyteller Wednesday: Character Creation.

Bwa-ha-ha.  It can be a bit like being a god, but not really.  I invariably say oops!  And I have even been known to apologize to characters when I try to force them into a box they do not want to go.

Some writers start with characters.  I don’t.  I tried that.  I have a drawer full of fascinating character sketches… and nowhere to put them.  All characters, some say, have their own story to tell.  That may be true.  I figure I may be deaf or all of these fascinating people I have found have dull stories. 

I need to start with the story.  I need a germ of a plot, some notion where I want to head (if not a glimpse of the possible end) and an interesting place and time for the story to get off the ground.  Then the characters evolve.  The people who find themselves in the midst of all those trials and tribulations work hard.  They grow as the story progresses.  They change and are changed in subtle ways as they work through situations and “live” the story.  Sometimes even the end evolves as my characters take me to places I never imagined in the beginning.

I think that is what we want.

But that is just me.  You may work wonderfully well starting with a fascinating person.  Then again, you may get frustrated, find your writing likes to ramble, find yourself tearing out huge sections and whole chapters which sounded great when you wrote them but now don’t appear to help the story move where it might be heading, maybe.  You may be frustrated that your characters are not cooperating and it makes you want to chuck the whole thing on the ever growing pile of unfinished works.

If starting with a great character works for you, great. 

But, if you are more of the latter, try starting first with the story and see who fits.  Isn’t that better than you having the fits?

Just a thought.

Storyteller Wednesday. Writerly Stuff: The Elements of a Great Story

Someone recently asked, what are the elements of a great story?  Everyone had a different answer.  I am sure you have your own answer, and I would bet it relates to a story you once read that you considered great.  It may relate to some ideas you gleaned from a creative writing class, or MFA program or writer’s retreat or critique group.  All of that stuff may be wise, good and true.  I won’t argue against any of it.  I only want to suggest three basic things, because I believe if you can master these things, you can produce a great story of your own.

1.         Setting.  Whether Atlanta is burning or Bogart is stumbling around Rick’s café in Casablanca, the setting, where all of the story takes place, must hold the reader’s interest.  The best words are unique and fascinating.  We may live in a world of Google travel, but the human desire to seek out strange and exotic places is not diminished.

If it is a mystery, people are tired of the same old bar scenes, and gin joints and the same old wealthy mansions (that may be haunted).  If it is science fiction, what makes your space ships different from all the generic ones on paper and in the movies?  If it is fantasy, must we suffer through yet another medieval world?  When are all the demons, vampires, werewolves and slayers going to discover that there is life outside the cities?  And honestly, how many stories can really take place in Amish country among a people whose lives have remained essentially the same for centuries?

Authors who would not be caught dead with generic characters often place them in the most generic settings.  Be careful.  Dull settings can kill a great story.  Make it fascinating, unique, strange, exotic, a place where people want to go (or perhaps decidedly do not want to go, if you know what I mean).

2.         Characters.  Too much has been said by too many people on this topic already.  Everyone has a take on how to build complex, well rounded characters.  In fact, I do not wonder why so many new writers become confused about the issue.  Information overload, and to be sure, not all the experts agree.

My take is much simpler.  You don’t want characters.  You want to people your story with people (human beings).  The better you know people, the better your people on paper will be.  It really is that simple.  Human beings are complex, fallible and, well, you know.

The thing that stands out for me with regard to characters, though, it consistency.  Yes, half-way through a book that rotten neighbor can show that they have a heart after all, but I have found that even for some authors who have well-rounded, well-developed human on the page, consistency can be a problem. 

If Aunt Linda would never say such a thing, don’t have her say it.  If Pamela would never be caught dead in that situation, help her avoid it.  I know the temptation is to have whomever is available say something or do something vital to move the story forward; but for me when people say something they would not say or act in an “uncharacteristic” fashion it can kill a great story.

3.         Plot = for God’s sake make something happen already! 

Sadly (I feel) literature (what some professors and experts consider GREAT literature) remains full of stories that are little more than naval gazing on paper.  I have no interest in reading such shorts or novels because they aren’t stories.  Sometimes I get trapped into reading such works and always get to the end and think, that was a day (four days) of my life, wasted. 

Now, it may just be me, though I suspect there are plenty who agree with me.  I don’t care how great a work of literary art the academic community calls it.  In my opinion, if things don’t happen to hold my interest and make me want to turn the page, I am not interested.  (I guess that is like saying water is wet stuff).  People may respond, but consider the great philosophy, consider the great expression of the human condition, consider the great writing – it is poetic, brilliant!  I just sigh.  But it is not a story, and certainly not a great story.

Wise Words for Writers: G. K. Chesterton and Young Adults.

There was a bit of a stir recently through the Wall Street Journal when an essay was presented questioning the darkness in Young Adult literature.  Curious (to me), when the rebuttals came in, no one denied that the literature is dark.  Some even suggested it was very dark.  Of course, they went on to suggest that the essayist was everything evil, just short of a censor.  In fact, it was a strong enough reaction, the essayist was allowed an unprecedented second column to rebut the rebuts.

The person in the Wall Street Journal was not suggesting that young people be denied access to any to these stories.  They were simply questioning the author’s intentions in writing such stories

What are such authors trying to say?  The moron’s response would be they are not necessarily trying to say anything.  If that were true, why write the book in the first place? 

Okay, the response might go, but they are not trying to influence young people – they are not normalizing the darkness.  Novelists don’t have that kind of power.  And neither do television shows, video-games, movies, or the internet alone.  But in case you haven’t noticed, the darkness surrounds young people these days.  Say it isn’t so.

What it comes down to for me is something G. K. Chesterton said:

Fairytales are not written to tell children that dragons exist. Children know full well that dragons exist.  Fairytales are written to show children that sometimes dragons can be defeated.       G. K. Chesterton

Personally, I have no problem with dark themed Young Adult books.  My only concern is, what are we saying to our children in the process?  Are we telling them that dragons are normal, to be expected in life and the whole world is f***ed up, so get used to it?  Or are we saying that dragons can sometimes be overcome?

I am no Y. A. expert.  You tell me.

Wise Words for Writers: Ancient Roman Poet, Horace

“Adversity reveals genius.  Prosperity hides it.”

No, son.  You need to be seasoned to write well.  Artists need to suffer.  That’s what they say.  I don’t buy it, entirely. 

It is true that musical genius can be found at a very early age.  But so also mathematical genius, and those two are much closer than many believe.

Also, it may be that a young painter can capture an image while still young.  Good eyes and a steady hand may have something to do with that.

But writing…

Obviously, non-fiction requires certain credentials or a host of experience to write about a topic effectively.  People, though, have the strange idea these days that anyone of any age can write fiction successfully.  Story, though, is about adversity.  There is struggle and conflict and sometimes win or lose.  And it is hard to imagine one can write well about such things until they have lived such things

The old adage is not incorrect:  “Write what you know.”  But how is it we know things?

1.         Learning.  We can study and learn about things, but without living them it is all academic.  It is possible to write about life in an academic way, but it will likely read academic and not make an effective story.  There is nothing worse than fiction written by thesaurus.

2.         Experience is the great teacher.  The cliché is not necessarily untrue that to really understand another person and their problems one needs to walk a mile in their shoes.  A young twenty-something might produce a good story about teenage angst; but at twenty-something the story is not likely to have the range or depth of the story the same person might write when they are forty-something and have experienced more of what life is really like. 

Distance and perspective also help in crafting good fiction.  Certainly Mark Twain had to get a little age and experience and put some distance between himself and his childhood before he could write effectively about Tom and Huck.

Experience is indeed the great teacher, and when it comes to storytelling, experiences in the adversities of life are invaluable.

3.         Empathy can go a long way toward telling a good story, if we are inclined and gifted with an empathetic soul, even if we don’t walk a mile in the other person’s shoes.  Few, if any church members have suffered through the kind of poverty and need of some, but it does not stop them from working in a soup kitchen or at a food bank or on a Habitat for Humanity house.  Yes, some of that may be to make themselves feel better about their own good fortune, but some is surely an empathy for the wrongness of those who go without.

Hans Christian Anderson was never a little girl, and while he may have experienced the cold, he never froze to death.  This did not prevent him from writing the Little Match Girl.  

Charles Dickens was undoubtedly a man of great empathy for the poor and working class souls that surrounded him.  He was able to take his empathy in one hand and his experiences of childhood in the other and produce Oliver, David Copperfield and Great Expectations.  The beauty of A Christmas Carol is not found in Scrooge, but in the ordinary people around him who were affected by this miserly, old humbug.  Dickens may have never experienced a haunting, but I have no doubt that at some point, like Scrooge, he came face to face with the idea that it is appointed once for a man to die and after this the judgment.

4.         Eyes also matter, if you have the eyes to see and the ears to hear.  Writers, they say, are 50% perspiration and 50% observation.  But it is hard to imagine the young observing much if they haven’t lived, yet.  Travel, they also say, broadens the mind.  And travel through life is certainly a key to storytelling. 

Then there is the matter of being well read, which many claim is imperative to writing well. 

All of this indicates to me that the young might tell a good story, but with a little age:  some experience, empathy and open eyes, they might tell a better story.  This flies in the face of our culture of youth.  Even in the writing world I know some editors who only want “fresh” young voices.  Ignorance on their part, I would say.  Storytelling is adversity telling and adversity lived (even if extrapolated) is realistic and engrossing.  Adversity only imagined is half-baked.  But stories are adversity and conflict rooted because it is what people who have lived can relate to.  It is also best for children to read and learn.

Now, I have said nothing about how an easy life might interfere with good storytelling.  No doubt a life that cannot seriously relate to adversity will be hampered in the art.  Does that mean all true artists must suffer?  Not necessarily, but adversity, at least in storytelling, is more likely to produce genius, or if not genius, authenticity.